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+ | ~~ODT~~ | ||
+ | |||
+ | |||
+ | ====== ENCAC ====== | ||
+ | |||
+ | **Lien** : [[http:// | ||
+ | |||
+ | |||
+ | {{vimeo> | ||
+ | |||
+ | |||
+ | |||
+ | ---- | ||
+ | |||
+ | ====== DESCRIPTION ====== | ||
+ | //Project description : 300 words// | ||
+ | |||
+ | TUBE - tank métonymie as a magic ingenious and absurd machine, installed in the Czech countryside is transmuted by the artists Van Bela, Leroy and Rolez into a poetic resonator data it can analyze and send back. The TUBE resonates the flow of Giron' | ||
+ | |||
+ | Tube.Nádrž | ||
+ | |||
+ | A 30 ton tank from a train wagon, built in Aachen 1940, probably left behind after WW2, was serving for years to feed the cows on the farm with molasses. Inside there still remains half a meter of black drab; ants are still eating from it; how many years will it take for them to empty it? | ||
+ | The idea to use it as it is, without modifications, | ||
+ | The small computer can serve as a central processing unit, to induce the desired waves. But it also can be a server which can receive inputs from anywhere on the net, and transmit the resulting output again to anywhere else in the world. A perfect transcoder, where any message that is sonified will return another message in the end. An answer, a dialogue, a riddle. | ||
+ | Tube.Nádrž is like a moody brain, grumpy with any weather, responding in a predictable way, but never stable. | ||
+ | |||
+ | ' | ||
+ | |||
+ | The reconversion of an old tank with molasse for cows into a gigantic physical, electronic, and networked instrument. At the same time a maquette was made to build on the side of the tube a little laboratory where artists can work and further explore the properties and possibilities of the object, leaving it completely intact. The tank is from 1940 and is weighing 30 tons, having a size of 6m x 2.5m. This live sculpture will be realized next year with appropriate funding. Residents can even sleep inside of it. | ||
+ | |||
+ | I like very much the idea of being able online to send in any sound, message and other data, it can be transcoded in a sound spectrum and sent through the tube, and the output can be transcoded again into a new sound image text etc… Guy Van Belle/ 13/08/2015 | ||
+ | |||
+ | |||
+ | {{:: | ||
+ | |||
+ | Sheme/Guy Van Belle/July 2015 | ||
+ | |||
+ | **100 words** | ||
+ | |||
+ | • the | ||
+ | • be | ||
+ | • to | ||
+ | • of | ||
+ | • and | ||
+ | • a | ||
+ | • in | ||
+ | • that | ||
+ | • have | ||
+ | • I | ||
+ | • it | ||
+ | • for | ||
+ | • not | ||
+ | • on | ||
+ | • with | ||
+ | • he | ||
+ | • as | ||
+ | • you | ||
+ | • do | ||
+ | • at | ||
+ | • this | ||
+ | • but | ||
+ | • his | ||
+ | • by | ||
+ | • from | ||
+ | • they | ||
+ | • we | ||
+ | • say | ||
+ | • her | ||
+ | • she | ||
+ | • or | ||
+ | • an | ||
+ | • will | ||
+ | • my | ||
+ | • one | ||
+ | • all | ||
+ | • would | ||
+ | • there | ||
+ | • their | ||
+ | • what | ||
+ | • so | ||
+ | • up | ||
+ | • out | ||
+ | • if | ||
+ | • about | ||
+ | • who | ||
+ | • get | ||
+ | • which | ||
+ | • go | ||
+ | • me | ||
+ | • when | ||
+ | • make | ||
+ | • can | ||
+ | • like | ||
+ | • time | ||
+ | • no | ||
+ | • just | ||
+ | • him | ||
+ | • know | ||
+ | • take | ||
+ | • person | ||
+ | • into | ||
+ | • year | ||
+ | • your | ||
+ | • good | ||
+ | • some | ||
+ | • could | ||
+ | • them | ||
+ | • see | ||
+ | • other | ||
+ | • than | ||
+ | • then | ||
+ | • now | ||
+ | • look | ||
+ | • only | ||
+ | • come | ||
+ | • its | ||
+ | • over | ||
+ | • think | ||
+ | • also | ||
+ | • back | ||
+ | • after | ||
+ | • use | ||
+ | • two | ||
+ | • how | ||
+ | • our | ||
+ | • work | ||
+ | • first | ||
+ | • well | ||
+ | • way | ||
+ | • even | ||
+ | • new | ||
+ | • want | ||
+ | • because | ||
+ | • any | ||
+ | • these | ||
+ | • give | ||
+ | • day | ||
+ | • most | ||
+ | • us\\ | ||
+ | |||
+ | Source: Concise Oxford English Dictionary (11th edition), damn\\ | ||
+ | Guy Van Belle/ 13-08-2015 | ||
+ | |||
+ | |||
+ | |||
+ | {{:: | ||
+ | Croquis/ | ||
+ | |||
+ | On peut proposer de détourner différents éléments résonnants du paysage, de les équiper (différents capteurs de sons et variables environnementales) et de les activer de façon à ce qu'ils puissent sonner ensemble : "Le tube", une citerne dans la campagne Tchèque, une planche de surf expérimentale à Gijon fabriquée avec la complicité des surfeurs locaux, la captation des vibrations du pont de Québec et la sonification du Saint Laurent... | ||
+ | On propose des solutions pratiques, des architectures d' | ||
+ | Dominique Leroy/ 13-08-2015 | ||
+ | |||
+ | |||
+ | |||
+ | Dans un sens , le Tube pourrait être le système de résolution de tous les problèmes terrestres, | ||
+ | un système de production de solution a des problèmes qu'on lui rentrerait. | ||
+ | |||
+ | une dystopie montrant une méthode absurde et rationnelle pour trouver des solutions entre le divinatoire et l’algorithmique, | ||
+ | |||
+ | On y entre des données issues de la sonification avec à chaque fois une lecture réversible, | ||
+ | |||
+ | Ce serait une sorte de tube divinatoire et de prédiction algorithmique. | ||
+ | |||
+ | Bien sur, le Tube de mélasse serait le premier être r[é|ai]sonnant de la planète, d' | ||
+ | |||
+ | On pourrait organiser la quête du saint Tube et s’apercevoir que la terre elle même raisonne, que l' | ||
+ | |||
+ | Un algorithme fonctionnant autour de chaînes de Markov sonore ? | ||
+ | |||
+ | Le tout serait de rentrer du son et de sortir du texte, il me semble plus simple de travailler avec une matière textuelle, pivot dans le translateur, | ||
+ | |||
+ | De temps en temps le texte cadrera avec l' | ||
+ | |||
+ | Il y a un peu du "The Hitchhiker' | ||
+ | Gaïa , le giga-super-ordinateur devant répondre à la question ultime... | ||
+ | |||
+ | la quête sera de trouver l' | ||
+ | |||
+ | Le Tube est le raisonateur, | ||
+ | |||
+ | * apprentissage: | ||
+ | * trouver corpus significatif dans une thématique qu'on se fixe ( sachant qu'on peut en changer ) | ||
+ | * proposer des paires questions/ | ||
+ | * stocker plusieurs base en fonction des thématiques ( et donc aussi des objets résonnants plus tard) | ||
+ | * usage: données=> | ||
+ | |||
+ | Jef Rolez/ 13-08-2015 | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | ====== BIOGRAPHIE ====== | ||
+ | |||
+ | ==== Dominique Leroy ==== | ||
+ | |||
+ | www.dominiqueleroy.info\\ | ||
+ | Dominique Leroy lives and works in Nantes and got a formation in the field of Fine Arts. In his creative work and artistic research, sound, nature and ecology play a central role. He mainly works with the physical and sculptural aspects of sound and expresses the outcomes of his creative process through installations and performances. His interactive creations are often the result of his exploration of the identity of our environment. Therefore, Dominique Leroy is mainly interested in art and public space, architecture, | ||
+ | Dominique Leroy has participated in different exhibitions, | ||
+ | ==== Guy Van Belle ==== | ||
+ | |||
+ | Gívan Belá (fka Guy Van Belle) is working at a slowart oeuvre built on collaboration, | ||
+ | |||
+ | |||
+ | ==== Jean-françois Rolez ==== | ||
+ | |||
+ | |||
+ | Depuis 1962, il a baigné dans la culture de l' | ||
+ | APO33 en 99 et les réseaux associatifs lui font développer APODIO (cf Dave Phillips 2006), des ateliers sur les logiciels libres et le partage des connaissances. Il participe aux mouvements alter-mondialiste puis écologistes. | ||
+ | Il fonde de nombreuses associations sur Nantes et Saint-Nazaire et travaille sur l' | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
+ | ====== PRODUCTION PLAN ====== | ||
+ | |||
+ | |||
+ | ===== TIMELINE ===== | ||
+ | |||
+ | ==== Tube expériments ==== | ||
+ | Date, période : Sept-Oct 2015\\ | ||
+ | Lieux : Nantes, Saint-Nazaire, | ||
+ | Objet : Préparation des modules techniques (voir rubrique technical requirement) | ||
+ | |||
+ | ==== La quête du Saintube ==== | ||
+ | Dates : 8-21 Fevrier 2016 (modification possible)\\ | ||
+ | Lieu : Avatar, Quebec/ | ||
+ | Objet : Une première partie de la résidence pourra être consacré a des repérages, rencontres avec des artistes locaux, choix d' | ||
+ | |||
+ | |||
+ | Dates : 4-17 Avril\\ | ||
+ | Lieu : Laboral/ | ||
+ | Objet : Comme dans le contexte de Quebec, un temps d' | ||
+ | |||
+ | ==== Tubofest 2016 ==== | ||
+ | Date/ | ||
+ | Lieux : KRA-Hranice (cz)\\ | ||
+ | Objet : Les différents temps de travail de sept 2015 à Juillet 2016 permettront d' | ||
+ | |||
+ | ==== Autres lieux distants envisagés ==== | ||
+ | Date/ | ||
+ | Lieux : Transmediale (Berlin) | ||
+ | |||
+ | |||
+ | ===== BUDGET ===== | ||
+ | |||
+ | **Dépenses pour 3 lieux**\\ | ||
+ | * Recherche et réalisation des capteurs et microphone = 900 euros (300X3) | ||
+ | * Recherche et réalisation éléctronique des systèmes audio amplifiés (transducteurs, | ||
+ | * **La quête du Saintube** (repérages des lieux, contact avec la population et groupes locaux (artistes, surfeurs, habitants...), | ||
+ | * Reconversion d' | ||
+ | * Programmation informatique (Olimex, capteurs...)= 900 euros | ||
+ | * Programmation audio (patch PD)= 900 euros | ||
+ | * Documentation, | ||
+ | * **Tubofest** : Performances, | ||
+ | |||
+ | **TOTAL 1 = 7200 euros** | ||
+ | |||
+ | **Réalisation des architectures d' | ||
+ | * Hranice : Le cube pour le tube = 2000 euros (1) | ||
+ | * Gijon = 2000 euros (2) | ||
+ | * Quebec = 2000 euros (3) | ||
+ | |||
+ | **TOTAL 2 = 6000 euros** | ||
+ | |||
+ | **TOTAL = 13200 euros** | ||
+ | |||
+ | **Recettes** | ||
+ | |||
+ | Réseau ENCAC = 5500 euros (Laboral/ | ||
+ | Association KRA/Hranice = 2000 euros (1)\\ | ||
+ | Association (n) (2) = 2000 euros\\ | ||
+ | Autres partenaires (3) = 3700 euros\\ | ||
+ | |||
+ | ===== TECHNICAL REQUIREMENTS ===== | ||
+ | |||
+ | The team is autonomous but will be happy to exchange, learn and improve various technical modules of the project with the technicians and artists of each place.\\ | ||
+ | |||
+ | Possible exchanges during workshops with technicians and artists : | ||
+ | |||
+ | Technology and materials : | ||
+ | |||
+ | Other tools : | ||
+ | Electronic and wood workshop\\ | ||
+ | wood 2D printer\\ | ||
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encac.txt · Dernière modification : 2024/02/08 17:41 de 127.0.0.1