theorie
Différences
Ci-dessous, les différences entre deux révisions de la page.
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+ | **Bibliographie JB – espace sonore** | ||
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+ | * On sonic art, by Trevor Wishart, Routledge | ||
+ | * Espaces sonores, actes de recherches | ||
+ | * L' | ||
+ | * L' | ||
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+ | ====== Art & experimentations ====== | ||
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+ | http:// | ||
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+ | http:// | ||
+ | A Theory of Experimentation in Art? Reading Kubler’s History of Art after Rheinberger’s Experimental Systems | ||
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+ | Experimental Affinities in Music | ||
+ | http:// | ||
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+ | **Bibliographie-sélection -cresson** | ||
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+ | * Rudolf Laban_Espace dynamique | ||
+ | * L' | ||
+ | * La notion d' | ||
+ | * Sonic Expérience_Torgue, | ||
+ | * Sens, sensible : au premiers temps... | ||
+ | * Les nouveaux territoires de l'art | ||
+ | * L'art, le corps, le désir | ||
+ | * Les écritures du temps_Les cahiers de l' | ||
+ | * La leçon de musique_Pascal Quignard | ||
+ | * Découvrir la musicothérapie | ||
+ | * Le son_Michel Chion | ||
+ | * Figures sonores_Adorno | ||
+ | * Listening to Noise and Silence: Towards a Philosophy of Sound , Listening to Noise and Silence: Towards a Philosophy of Sound | ||
+ | * Brandon LaBelle, Background Noise: Perspectives on Sound Art 0th Edition | ||
+ | * De Schônberg à cage_François Bayer | ||
+ | * Brandon LaBelle, | ||
+ | * Nouveaux territoires de l'art _Fabrice Lextrait; Fréderic Kahn | ||
+ | * Emergence de nouvelles ésthétique du mouvement_Alain Lioret | ||
+ | * Noise water meat_Kahn | ||
+ | * Pratiques artistiques, | ||
+ | * Perception et intermodalité | ||
+ | * Le baladeur dans l' | ||
+ | * parcours urbains quotidiens Ben Slama | ||
+ | * Rachel Thomas Ambiances publiques, mobilité sociabilité | ||
+ | * Les espaces urbains à l' | ||
+ | * Vers un outil de réalité virtuelle – Tahrani | ||
+ | * Caractérisation dimensionnelle de la diffusivité des formes architecturales et urbaines | ||
+ | * Etude des signaux sonores d' | ||
+ | * Les musiques de l' | ||
+ | * Simulation des ambiances sonores urbaines | ||
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+ | **Psychologie et envirronnement** | ||
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+ | * Regards imaginaires _Alexis Rosenbaum | ||
+ | * Les stress urbains | ||
+ | * milieux et modes de vie_Robert Sommer | ||
+ | * L'art du terrain | ||
+ | * Les bruissements de la langue_Barthes | ||
+ | * Images temps, images mouvement_Deleuze | ||
+ | * Bacon Logique de la sensation | ||
+ | * Le paysage et ses grilles_Colloque de Cerisy | ||
+ | * art et technique_Pierre Francastel | ||
+ | * Philosophie du geste_Michel Guerin | ||
+ | * Les non-publics, | ||
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+ | **Mobilité et esthétique** | ||
+ | * Peter Slotendijk_Bulles et Ecumes | ||
+ | * Cognition et création_Jean Pierre Goulette | ||
+ | * Le sens de la mémoire_Jean-Yves et Marc Tadié | ||
+ | * Le corps, le sens_Héritier, | ||
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+ | **Economie & Ecologie** | ||
+ | Lawrence B.Slobodkin, | ||
+ | Charlotte Hess, Elinor Ostrom, Understanding Knowledge as a commons | ||
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+ | **Epistémologie** | ||
+ | * Marcher, créer | ||
+ | * Éloge de la marche | ||
+ | * Un élu, un artiste | ||
+ | * Parcours artistiques et virtualité urbaines | ||
+ | * L'art de se promener_Schelle | ||
+ | * L'art de marcher_Rebecca Solhit | ||
+ | * Marcher ensemble_Gilbert | ||
+ | * La marche au coeur des mobilité | ||
+ | * Arnaud Claas Nuit Optimale | ||
+ | * Mobilité nocturne | ||
+ | * Les sciences de l' | ||
+ | * Pierre Sansot Rêveuses(rs) dans la ville | ||
+ | * Les sens du mouvement – Allemand Ascher Lévy | ||
+ | * L' | ||
+ | * L' | ||
+ | * Politique de la nature_Bruno Latour | ||
+ | * Les rites d' | ||
+ | * L' | ||
+ | * Poetique de la ville_Sansot | ||
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+ | ====== Autre ====== | ||
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+ | * Claude Lévi-Strauss / La pensée sauvage | ||
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+ | Liens internet : | ||
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+ | ====== Bibliographie Guy Van Belle ====== | ||
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+ | * Arehart, Kathryn H 2005 The Nature of Hearing and Hearing Loss. Soundscape: The Journal of Acoustic Ecology 6(1):9–14 | ||
+ | * Barad, Karen 2001 Performing Culture/ | ||
+ | * Barker, Joshua 2005 Engineers and Political Dreams: Indonesia in the Satellite Age. Current Anthropology 46(1): | ||
+ | * Bateson, Gregory 1958 Naven. 2nd edition. Stanford: Stanford University Press. 1972 Steps to an Ecology of Mind. Chicago: University of Chicago Press. | ||
+ | * Berger, Ivan 2003 DRIVING; Body by Fisher, Sound by Bose. New York Times | ||
+ | * Block, Steven M. 1992 Biophysical Principles of Sensory Transduction.In Sensory Transduction. Society of General Physiologists series, 47. David P. Corey and Stephen D. Roper, eds. Pp. 1–17. New York: Rocke-feller University Press. | ||
+ | * Borsellino, Antonio, Luigi Cervetto, and Vincent Torre, eds.1990 Sensory Transduction. New York: Plenum Press. | ||
+ | * Bose, Amar1984 Hi-Fi for GM Cars. Lecture delivered to the Electrical Engineering and Computer Science seminar, March 19. | ||
+ | * Amar Bose Papers. MC 261. Institute Archives and Special Collections, | ||
+ | * Bourdieu, Pierre 1990 The Logic of Practice. Richard Nice, trans. Stanford: Stanford University Press | ||
+ | * Broad, William J.1997 The Universe Below: Discovering the Secrets of the Deep Sea. New York: Simon and Schuster | ||
+ | * Bull, Michael 2003 Soundscapes of the Car: A Critical Study of Automobile Habitation. In The Auditory Culture Reader. Michael Bull and Les Back, eds. Pp. 357–374. Oxford: Berg. | ||
+ | * Bull, Michael, and Les Back 2003 Into Sound. In The Auditory Culture Reader. Michael Bull and Les Back, eds. Pp. 1–23. Oxford: Berg. | ||
+ | * Canguilhem, Georges 2001[1952] The Living and Its Milieu. John Savage, trans. Grey Room 3:7–31. | ||
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+ | **Bibliographie-song line** | ||
+ | * Roland Barthes, "La musique, la voix, la langue" | ||
+ | * Paysage sonore et écologieacoustique de Pauline Nadrigny, 2010, disponible sur implications-philosophique.org | ||
+ | * Raymond Murray Schafer, The soundscape, Our Sonic Environment and the Tuning of the World, New-York, Knopf, 1977 | ||
+ | * Peter Szendy, écoute, une histoire de nos oreilles, 2001 | ||
+ | * Jean-Luc Nancy, A l' | ||
+ | * Jonathan Sterne, The audible past, 2003 | ||
+ | * Martin Kaltenecker, | ||
+ | * Michael Bull, Sound Studies, 2013 | ||
+ | * Veit Erlmann, Reason and Resonance, 2014 | ||
+ | * Sonification handbook, Thomas Hermann, Andy Hunt, John G Neuhoff www.sonification.de | ||
+ | * Cathy Lane, Angus Carlyle, In the Field. The Art of Field Recording, Londres, Uniformbooks | ||
+ | * Paysage sonore et écologie acoustique de Pauline Nadrigny, 2010, sur implications-philosophiques.org | ||
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+ | ====== Bibliographie " | ||
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+ | * Gaston Bachelard, L'eau et les rêves, Essai sur l' | ||
+ | * Héraclite, Fragments, Edition Garnier-Flammarion, | ||
+ | * Georges Bataille, La notion de dépense, Nouvelles Editions Lignes, 2011 | ||
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+ | ====== Liens ====== | ||
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+ | Macumbista, noise & technologie (Derek Holzer) : http:// | ||
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+ | ====== Liens " | ||
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+ | https:// | ||
+ | Lever du jour - Daybreak - Daphnis et Chloe by Ravel | ||
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+ | https:// | ||
+ | Debussy - La Mer | ||
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+ | https:// | ||
+ | Olivier Messiaen: Réveil des Oiseaux (1953) | ||
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+ | https:// | ||
+ | Henri Dutilleux - L' | ||
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+ | https:// | ||
+ | György Ligeti: Ramifications (1968/ | ||
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+ | https:// | ||
+ | Iannis Xenakis, Thallein / | ||
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+ | https:// | ||
+ | Karlheinz Stockhausen Kontakte | ||
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+ | Kaija Saariaho / Six japanese gardens 1,2,3 | ||
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+ | Jean-Claude Risset - Sud (1985) [Full Version] | ||
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+ | https:// | ||
+ | François Bayle, « Jeîta – ou le murmure des eaux » (disque complet – 1970) | ||
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+ | https:// | ||
+ | Jean-Louis Florentz, Prélude de L' | ||
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+ | https:// | ||
+ | Tan Dun: Eight Memories in Watercolor, Op.1 (Herdboy' | ||
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+ | https:// | ||
+ | Tōru Takemitsu: Toward the sea (1981) | ||
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+ | https:// | ||
+ | Toru Takemitsu -How slow the wind .wmv | ||
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+ | https:// | ||
+ | Einojuhani Rautavaara, | ||
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+ | https:// | ||
+ | Tilt Brass performs " | ||
+ | Schafer, Music for Wilderness lake | ||
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+ | https:// | ||
+ | Subaquatic music with glass instruments by Michel Redolfi | ||
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+ | https:// | ||
+ | Mineral Dream | ||
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+ | https:// | ||
+ | Mendelssohn, | ||
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+ | https:// | ||
+ | Rubinstein : Symphonie n°2 " Océan" | ||
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+ | https:// | ||
+ | Smetana, La Moldau (poème symphonique) | ||
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+ | https:// | ||
+ | Liszt, Jeux d'eau à la villa d'Este (piano) | ||
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+ | Joncières, La mer (ode-symphonie) | ||
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+ | Glazounov, La mer troublée, poème symphonique | ||
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+ | https:// | ||
+ | Dvorak, L' | ||
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+ | https:// | ||
+ | Ravel, Jeux d'eau (piano) | ||
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+ | Decaux, La mer (piano) | ||
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+ | Varèse, Apothéose de l' | ||
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+ | Debussy, La mer (triptyque symphonique) | ||
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+ | Vaughan Williams : A sea Symphony | ||
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+ | Sibelius, Les océanides (poème symphonique) | ||
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+ | Honegger, Prélude pour la tempête de Shakespeare | ||
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+ | Messian, Fêtes des belles eaux (6 ondes Martenot) | ||
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+ | Hanns Eisler, Quatorze manières de décrire la pluie (quintette) | ||
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+ | Britten, Four sea Interludes from Peter Grimes | ||
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+ | Grisey, D'eau et de pierre | ||
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+ | Murail, Couleurs de mer | ||
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+ | Dusapin, La rivière | ||
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+ | Mâche, phonographie de l'eau (éléctronique) | ||
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+ | Takemitsu, Toward the sea III (flûte, alto, harpe) | ||
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+ | Xenakis, Sea Nymphs (choeur) | ||
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+ | Tan Dun, Water concerto (eau et orchestre) | ||
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+ | Pécou, Passeurs d'eau (cantate amazonienne) | ||
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+ | Mantovani, Jeux d'eau (concerto pour violon) | ||
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+ | Mâche, Phonographies de l'eau (éléctronique) | ||
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+ | Dusapin, La rivière | ||
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+ | Murail, couleur de mer | ||
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+ | Tak | ||
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